The Hill Audio Multimix LMR-1204FX-C-USB is a 19’’-rackable live mixing desk which marks the entry-level for a subgroup-fitted model. It comprises everything required for a small live event: 4 mono channels with low-noise microphone inputs cater for acoustic sources, where the one-knob compressors make dynamics management easy
The Hill Audio LMD-1402FX-U desktop live mixer is the next step up for small bands who want dedicated monitoring. 8 microphone channels with quality preamps, 3-band EQ, monitor bus, effects bus, pan and volume control; 2 stereo input channels with effects bus, balance and volume control, and a versatile Record/Playback port
The Hill Audio Multimix LMR-2442-FXC-USB is a 19’’-rackable live mixing desk comprising everything required for medium-sized events. One-knob compressors in the 8 mic/line inputs make dynamics management easy, and the 3-band EQs with semi-parametric mids allow precise tonal adjustments.
The LMD-1602FX-C-USB is all an aspiring band needs in a single compact desktop mixer. 4 mic/line channels with low noise microphone stages, switchable phantom power and built-in one-knob compressor provide a proper feed for acoustic input signals. 2 mic/line stereo channels and 2 line stereo channels, all balanced, cater for a multitude of stereo line level sources.
Entertainers or duos which heavily rely on stereo sources such as keyboards and accompaniment arrangers, will make the Hill Audio LMD-802 their preferred choice. Providing compact and budget-conscious, yet sophisticated pre-amplification and mixing for two microphones/instruments and two stereo sources,
The Hill Audio LMD-1202FX desktop live mixer comprises everything a small band without dedicated monitor system would need: 4 microphone channels with quality preamps, 3-band EQ, effects bus, pan and volume control; 4 stereo input channels with effects bus, balance and volume control, and a versatile Record/Playback port
Despite its compact size and focused feature set, the Hill Audio LMD-502 can serve a multitude of applications, from one-man bands to podcast production and video post-production. Basically any situation where a single microphone signal needs to be properly pre-amplified and equalized, and then mixed with a range of stereo signals
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